Friday, July 27, 2012

The Making Of The King Of Pop - part one

Article from Rolling Stone, January 9th, 1992
  - by Michael Goldberg

The Seven Dwarfs are singing. Their voices are floating out of speakers hidden among the trees and lush flora surrounding Michael Jackson's mansion in Neverland Valley - his 2700-acre, $22 million oasis in the Santa Ynez Valley, an hour north of Santa Barbara, California. "Michael's very own Xanadu," as his friend director John Landis puts it.

At Neverland Jackson has created a secluded and secure environment far from businessmen, attorneys, managers, music-television-channel VIPs and even members of his immediate family. Here he can stand in front of his house and the only sounds to hear are the birds in the oak and sycamore trees and, of course, the Seven Dwarfs. And if he chooses to gaze past the expansive lake that stretches out in front of his three-story Tudoresque country home, past the lush green lawns and neatly manicured flower beds, the bronze statues of young boys beating tambourines or playing toy accordions, he sees simply a peaceful hillside dotted with oaks.

In any direction, as far as the eye can see, lies Michael Jackson's Magic Kingdom. "Sure he's a little afraid of people," says choreographer Vince Paterson. "When you have people that, from the the time you're a little kid, want you, they want pieces of you, they want your clothes, they want your hair - you're going to get nervous around people. But here at Neverland, protected by armed guards that patrol the grounds around the clock, Jackson doesn't have to be around people. And he never has to grow up.

Though Jackson is now a thirty-three-year-old man, his associates and friends say he still has the interests and enthusiasms of a child, and at Neverland he has created the ultimate child's playground. "Being with Michael is like being in Santa's workshop," says Paterson.

Santa has been working overtime at Neverland.
One can ride the turn-of-the-century C.P. Huntington amusement-park-style train that holds several dozen passengers. Hop on board and it will take you from the main house out past an Indian village (teepees, full-size replicas of Native Americans, a totem pole and campfire), a two-story fort (complete with hefty artillery that shoots water) and an amusement park (including a carousel with custom-made, hand-painted animals, a Ferris wheel, a three-story high slide and a heart-stopping ride called the Zipper).

Continue and you will see the $2 million-plus Neverland Cinema complex (where Cape Fear is playing tonight, according to signs posted at every stop along the train's route).
Walk in and fest your eyes on the candy counter, filled with every kind of popcorn and confection imaginable. On either side of the large main projection room you will find separate glassed-in vieving rooms, complete with beds for the children who are ill.

Ride past the zoo, with its horses and zebras, buffalo and chimpanzees, ostriches and swans, deer and llamas. And the Zonkey (a cross between a zebra and a donkey). And let's not forget about the three giraffes. Or go boating in the lake. You can choose between a swan boat, a canoe and a red dinghy. Perhaps you are up for playing some kind of electronic game. The rec building contains two floors of arcade games ranging from Sega's Time Traveller hologram unit and Galaxy Force Version 2 to Teenage Mutant Ninja Turtles and something called Ghosttown.

At night, Neverland looks like it has been sprinkled with a kind of high-tech fairy dust. Out by the amusement park for instance, Jackson has had white lights installed up the trunk and on the branches of the oak trees. As these lights flash on and off, glittering trees appear to materialize before one's eyes, only to vanish.
A winding yellow-brick road (with recessed gold-colored lights) leads to the amusement park, which is lit against the black sky. Back at the house, the lake, the statues and the wood and stone buildings themselves look like set pieces from a fairy tale.

Amid this magical environment, Jackson will sometimes get in the outdoor Jacuzzi, remove a large piece of stone that conceals the TV and VCR and, sitting beneath the stars, watch one of the hundreds of videos that are stored in his tape library upstairs in the main house.

Jackson frequently has children over to play. According to his spokesperson, Bob Jones (who first worked with Jackson at Motown when the singer was a member of the Jackson 5), these regularly include "bus-loads" of underprivileged and terminally ill kids (such as the late Ryan White), as well as young personal friends of the superstar.

"When the children are here, sometimes they get so excited they just can't go to sleep," says Lee Tucker, who helped design Jackson's movie theater and serves as his projectionist. "I'll get a call at 2:00 a.m. sometimes: 'Lee can you show such-and-such movie?' Neverland isn't about kids going to sleep at a certain time. The kids really run the place when they are here."

Jackson is extremely fond of children. Those who know him believe that one reason he can relax with kids is that he truly believes they like him for himself, not because he is a big star. As one associate observes: "If you're under three feet tall, you can have complete access to Michael Jackson."

Jackson's house is exquisitely furnished. The main floor includes and oak-paneled library stocked with rare editions of classics by Charles Dickens, Mark Twain and dozens of others. The spacious living room houses a Bosendorfer custom-made rosewood piano and numerous rare art pieces, among them a raymond Bigot sculpture of a rooster and chickens. There is a roomy den with Bouquet Canyon stone fireplace, a fully equipped professional kitchen and a spacious dining room with its own fireplace. Down a hall is Jackson's bedroom, which is off-limits to most visitors; it looks out onto a garden enclosed by a six-foot-high stone wall.

While the main floor would make an English lord feel right at home, the upstairs is, like the grounds of the estate, filled with stuff  that children dream about. There is a doll bedroom, a large room with a canopied bed that is crowded with dozens of dolls. Many more dolls, some with sad faces, some smiling, peer at you from every nook and cranny. A three-story, elaborately furnished doll house containing miniature figures sits on one side of the room, "Wizard of Oz" plates and jack-in-the-boxes, each featuring Dorothy, the Scarecrow, the Tin Man or one of the other primary characters, have been placed on shelves. There is an old-fashioned typewriter with a piece of paper in it on which someone has typed: "And all we want for Christmas..."
Sitting on an end table is Shirley Temple Black's autobiography, "Child Star."

Another room is jammed with children's games and toys. There are coloring books and crayons, a gun that shoots soap bubbles. A table full of trucks and cars and spaceships. In front of a window stand life-size cutouts of Batman and the Joker. Simpsons characters are everywhere.

A narrow staircase leads up to the train room, half of which is filled with an elaborate Lionel set. In addition to the train on the track, there are more in unopened boxes on the floor. Another part of the room is covered with race-car tracks. Standing against the walls are larger than life Bart simpsons cardboard cutouts and Roger Rabbit displays, along with an E.T. video display packed with copies of the tape. Peter Pan and Mickey Mouse and Bambi quilts lie on the floor. "The kids have slumber parties up here," says one of Jackson's employees as he takes me through the house.  

Ironically, as Neverland becomes even more magical and dreamlike, Jackson himself can't often enjoy it. For most of the three years he's owned it, mich of his time has been spent in Los Angeles sequestered in more than a half-dozen darkened recording studios. Now that the album is done, he'll be busy for months, cranking out videos for the various songs on Dangerous.
He also has plans to star in his first feature film, tentatively called 'Midknight', for Sony's Columbia Pictures and will hit the road to support Dangerous by the middle of 1992. Touring plans have not been formalized, but it's clear that Jackson, in his drive to stay on top of the entertainment world, will want to take his time and make the show as spectacular as possible.  
"The plan is for him to start work on his film," says Bob Jones, who for the past three years has been working for the star's own company, MJJ Productions. "But with Michael you never know. That could certainly change. Since I've been here, Michael has been in complete control. He knows what works for him and for the public. He's much more fixed in his ideas as to how he wants to do things."

One thing is for sure, Jackson won't be spending much time at Neverland lying by the pool. For as everyone in the world knows by now, the Michael Jackson show is, once again, open for business.

To be continued...


  1. Ok now I'm able to comment at this segment ... silly Kindle. I finally backed all the way to the beginning... whew!

    So, are these article pieces edited or altered at all?

    I'm really enjoying all entries in this blog very much.

    1. There has been no editing at all - the only difference from the original article is that I am using different pictures.

      Thank you, Helen. I kinda knew you would enjoy what I do here. :)

  2. I came to read this again, and what overwhelms me this time is how tragic that Michael's magical sanctuary was defiled the way it was. I wonder what will become of that property.